The controversial clip, which was shared by the streaming giant on Thursday, portrays numerous key events in the life of the princess â including her wedding to Prince Charles and the birth of Prince William â and explores her complex relationship with Britainâs royal family and the worldâs media.
The musical was being previewed in the United States last year but performances were stopped due to the coronavirus pandemic which forced theatres to close. Netflix is now set to stream a film of the production, which will return to Broadway in December.
Scenes in the trailer depict the princess spinning around in circles, curtsying in front of reigning monarch Queen Elizabeth II and vowing to âlight the world.â In one scene, a bemused Prince Charles clutches a newspaper â its front page reading: âDiana driven to five suicide bids by Charles.â
According to British tabloid the Daily Mail, the playâs script also features the queen calling Diana âa tart,â along with the line: âin the old days we would have chopped off your head.â
On social media, some critics branded the idea âdisrespectfulâ and âweird,â while others asked why, decades after the death of Diana in 1997, her life was still being so widely scrutinized and dramatized.
For years, Diana was forced to grapple with incessant hounding from the media. She died in a Paris car crash in 1997 while being pursued by paparazzi.
Her second son, Prince Harry, has also had a difficult relationship with the media, and has vowed to protect his wife, Meghan, and their family. In 2019, he said: âI will not be bullied into playing a game that killed my mom.â
While a few said they were looking forward to watching the new musical, many came to the same conclusion: nobody asked for this.
U.K. journalist Rebecca Reid labeled the trailer âthe worst thing she had ever seen,â while royal commentator Richard Fitzwilliams told The Washington Post that the trailer âhad a synthetic look as though it was piece of merchandise, with Dianaâs face on it.â
However, the story of Diana, who is still revered by many in the U.K. as âthe peopleâs princessâ, has continued to interest audiences â and producers.
British actor Jeanna de Waal, who plays the star role in the musical, told The Daily Beast in an interview last year that the production was âdone with tact,â and that the cast was âtrying to portray a human story.â
âI feel such a responsibility to Diana, sheâs so present and in the zeitgeist,â de Waal said, adding that âno one is playing a caricature purposefully.â
De Waal said she would love Dianaâs sons, Prince William and Prince Harry, to see the musical but acknowledged âthat watching me play their mother at dramatic moments in her life might be very upsetting for them.â
Meanwhile, other critics simply felt that the production added â unnecessarily â to the plethora of current productions featuring portrayals of the princess.
âWe havenât been this saturated in Diana media in decades,â read one tweet.
Last year Netflix faced calls from the British government to add a disclaimer to hit-drama âThe Crown,â in a bid to warn viewers that the series was not 100 percent accurate, amid concerns that viewers would not realize that the series was, in fact, fiction.
âWe have always presented The Crown as a drama â and we have every confidence our members understand itâs a work of fiction thatâs broadly based on historical events,â Netflix said in a statement at the time.
Those brave enough to channel the princess through performance have faced mixed results.
Kristen Stewart stars in the biopic film âSpencerâ which premiered at the Venice Film Festival last week. It appeared well received by British media, with The Guardian and Daily Telegraph both giving it five-star reviews.
By contrast, Naomi Watts portrayed the princess in the 2013 film âDiana,â although she later admitted to Harperâs Bazaar that the movie took a âdirection that was not the one I was hoping forâ and referred to the experience as going down with a âsinking ship.â
In July, HBO Max angered some Brits as it released a trailer for a new satirical U.S. animated series titled âThe Prince,â which portrayed the royal family as a collection of dysfunctional and egotistical tea drinkers raising their young children to be spoiled and brutish tyrants.
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